Bad Journalism: A textbook case
January 29, 2014 § Leave a comment
On Saturday, Montréal’s left-wing, nationalist French-language daily, Le Devoir, published a rather simple-minded article about a series of homophobic attacks that have occurred lately in Montréal’s Gay Village. A series of assaults last weekend came on the heels of several others in Fall 2013. This has left many in the Village feeling unsafe. The Service de police de la Ville de Montréal, not surprisingly, refuse to see a connection between a series of attacks on gay men and homophobia. Plus ça change, I suppose. Amazingly, while people in the village are feeling unsafe, Vincent Richer, the commander of Station 22 in the Village, claims that the neighbourhood is safe and secure.
But then there’s the article. It talks about the fringe characters of the neighbourhood, the ones in shadows, the homeless, the drunks, drug addicts, etc. And then there’s the usual drunken frat boys who like to show off how enlightened they are by heading downtown into the Gay Village to call people names. As an aside, a funny story: back in the day in Vancouver, I was sitting outside at the Fresgo Inn, an all-night greasy spoon in the West End, on Davie St., that’s long since gone. Next door was a café, with all of these big, huge, hot gay men on the patio. A bunch of meatheads started calling them names. It did not end well for the meatheads, they got beaten pretty good for their efforts. And that being Vancouver, the police, after reprimanding the neighbourhood guys for getting violent, arrested the meatheads for creating a disturbance.
Le Devoir also set a team of journalists into the Gay Village one night last week, as if they were heading out into Whitechapel, London, on the trail of Jack the Ripper. Seriously, the article reads like a horrible anthropology paper. But then, as my friend Anna Sheftel pointed out on Facebook, the paper proceeds to insinuate that the hate crimes on gay men is being perpetrated by the homeless, drunks, and drug addicts (the frat boys get forgotten). As if, to paraphrase Anna, all violence is the same, as if all marginalised groups are the same. As she notes, the LGBT community has a disproportionate number of homeless, especially youth, even in a place like the Gay Village.
All in all, this is horrible, bush league journalism from a newspaper that should, and usually does know better.
The Upside to Gentrification?
January 22, 2014 § 7 Comments
I read an interesting article on NPR.org this morning, about gentrification. Based on recent research from Columbia University and the Federal Reserve Bank of Cleveland, gentrification may not entirely suck for low-income people in gentrifying neighbourhoods. The Columbia study looked at displacement in Harlem and across the US, calculating how many low income people moved out of their neighbourhoods when gentrification occurred. Meanwhile, the Federal Reserve Bank looked at the credit scores of low income people in gentrifying neighbourhoods. In the first case, researchers found that people didn’t necessarily move out, in fact, low income earners were no more likely to move out of a gentrifying neighbourhood than a non-gentrifying one. In the case of the Federal Reserve Bank, the credit scores of low income earners actually improved with gentrification of their neighbourhoods.
Not surprisingly, I find these kinds of studies slightly disarming. Lance Freeman, Director of the Urban Planning programme at Columbia, expected to find that displacement was a common occurrence. But he is still cautious to note that gentrification can and does indeed lead to displacement.
Most studies, at least most I have read from a wide variety of disciplines, lay out the reasons for displacement with gentrification: higher housing costs, higher food costs, higher taxes (if they own), amongst others. In my experience of living in gentrifying neighbourhoods, the cost of gentrification is obvious on the street, as the original residents get marginalised as cafés, hipster clothing stores, and yuppy restaurants open. There is no place for them to go, and the coffee shops and bodegas they used to frequent close down. However, it is also obvious that people stay. In part, they are helped by things such as rent control, or dedicated low income housing. And, at least from my own anecdotal evidence, mixed-residential neighbourhoods are certainly friendlier, more community-based, and generally nicer to live in.
Last weekend, there was a story in the Boston Globe about a Southie woman, Maureen Dahill, who ran for State Senate, but lost gloriously, in large part because she supported the right of LGBT groups to march in the St. Patrick’s Day parade. Dahill ran for office in order to attempt to bridge the gulf between “new” and “old” Southie, between the yuppies, artists, and hipsters, and the old Irish. Dahill, a native of South Boston, works in the fashion industry, her husband is a firefighter. In other words, she was the ideal candidate for the role.
What I find interesting, aside from the fact she was trounced in the election, was the discussion in this article about the gulf that exists between the old and the new in Southie. And this is something that is overlooked by quantified research studies such as the Columbia and Federal Reserve Bank ones. However, what they add to the discussion is that there are those who remain, who refuse to leave for a variety of reasons. The job now is to, if not attempt to emulate Dahill’s failed campaign (the Globe notes that from the get go “there were many who didn’t want any part of her bridge-building.” The article doesn’t identify which side of the gulf this resistance came from.
At any rate, it is refreshing to see researchers attempt to explore the myths of gentrification, but I would also caution that we do not need a neo-liberal backlash that leads us to conclude that gentrification is good, it’s the best thing that can happen to us. We must still discuss the human costs of gentrification, we must still fret over the plight of low income earners in neighbourhoods where rents go from $500 to $3,000 a month in short order.
When Selling Out Isn’t Selling Out
January 21, 2014 § 2 Comments
I was sitting on my couch watching football on Sunday and a Nike ad came on. The music was familiar. Then it hit me. It was one of my favourite bands, the Montrealers Suuns. It was their track “2020,” the second song on last year’s excellent album, Images du futur. I was a little stunned. Suuns are, for the most part, pretty obscure, even for a Montréal band, many of whom gained attention just due to the simple fact that they were from the same city as Arcade Fire.
I was a little stunned also because Suuns had sold their music to Nike, a multinational corporation, for advertising. Then I realised the massive generational difference at work here. When I was in my 20s, I would be sickened and appalled at any of my favourite alt.rock banks “selling out” to the adverstising industry. Nirvana wouldn’t have done this. Smashing Pumpkins wouldn’t have done this. But the Dandy Warhols did. In 2001, their track “Bohemian Like You” was used in a Vodafone ad. But, that was easy to discount, the Dandys never attempted to claim any alt.rock or indie rock purity. Life carried on.
But the Black Lips did the same thing with T-Mobile. I wasn’t sure what to think about this one, either.
Earlier this weekend, I was having a conversation with a friend on Facebook about the band Neutral Milk Hotel, and she was commenting how she wished music could still be as honest as this band was. We were also talking about the band makes us nostalgic for the 90s.
But still, it’s one thing for M.I.A. to sell her song to Nissan for a car ad, it’s another thing for Suuns to do it. But, of course, the times they are a-changing. For Suuns to sell their song to Nike only works to increase their exposure, to increase record sales. In her brilliant The Gentrification of the Mind, Sarah Schulman talks about this process. She cut her teeth as an artist on the fringe in New York City in the 80s. But today, she notes, artists are all tied into the matrix. For them, it’s not selling out, it’s just the way it is. Skrillex sells his music. So if The Black Lips and Suuns do so, does it make a difference?
I’m sure if I asked my nieces and nephews what they’d think if one of their favourite bands had sold their music for an ad, they’d shrug their shoulders and think I was out of touch. And so, I guess so. Bully for Suuns for selling “2020.”
The Making of the Historian
January 12, 2014 § Leave a comment
One of my favourite history books is Angela Bourke’s The Burning of Bridget Cleary. The book, published in 2001, tells the story of Bridget Cleary’s death at the hands of her husband, Michael, and a mixture of extended family, in Ballyvadlea, Co. Tipperary in Ireland in March 1895. As Bourke unravels the story, the murder of Bridget Cleary is an opportunity for the historian (or folklorist, in her case) to examine the collision between modern culture and folkways. Ballyvadlea in 1895 was essentially the boondocks of Ireland, far removed from the encroaching modern world, people there still lived according to old Irish ways, with beliefs in fairies, banshees, and the like. Whether or not Michael Cleary and his cohorts actually believed in this is neither here nor there, argues Bourke, what matters is that the belief system still existed and was still accessible to Cleary and his co-conspirators.
When I was in graduate school, I was fascinated by the collision between modernity and ancient folkways. In particular, I was interested in charivari, a means of community policing in pre-modern societies in Europe and amongst settler societies in North America. In fact, I was so interested in this, I set out to do my Master’s degree on this topic in Québec. What fascinated me then, and still does today, and why I enjoy Bourke’s book so much (I usually assign it when I teach Irish History) is the way in which modern legal culture intersects with traditional folkways.
Societies have traditionally been able to police themselves. Today, we live in a society where the state is omnipresent, whether in the form of of our driver’s licenses, or the regulation of education, and various other means. When someone breaks the law, we expect the police to make an arrest, the prosecutor to secure a conviction, and the jail to secure the lawbreaker until her debt to society is paid. But it hasn’t always been that way.
In October 1855, Robert Corrigan was beaten to death in Saint-Sylvestre, Québec, a remote agricultural community, some fifty miles south of Québec City, in the foothills of the Appalachians. He was beaten by a gang of his neighbours for stepping out of line. They did not mean to kill him, they meant to discipline him for his bullying, aggressive behaviour. That Corrigan was an Irish Protestant and his murderers Irish Catholics was secondary (at least in Saint-Sylvestre, for the rest of Canada, that was the most important detail in the highly sectarian mid-19th century). When the state attempted to arrest the accused men, they were easily able to elude the police forces sent in from Montréal and Québec, aided by their neighbours. When they did finally turn themselves in in January 1856, they did so on their own terms. They were also able to rig the jury when they went to trial in February so that they were acquitted.
The Corrigan Affair, in this light, was entirely about a local community maintaining its right to police itself in the face of the power of the state. The mid-19th century in Canada was a time of massive state formation and expansion. The same period in Québec saw a spate of construction projects around the province of courthouses and jails and other such buildings. The buildings were all the same down to the shade of paint used on them. Why? Because the state was attempting to establish its control across the province and it was attempting to do so with the message that the state was indifferent to local contingencies. Not surprisingly, the people of Québec rebelled against this. The mid-19th century in Canada offers endless examples of local communities rebelling against the state in Nova Scotia, New Brunswick, Québec, Ontario, Prince Edward Island, and Newfoundland.
The Wild West in the United States is another such example. The West has a reputation for violence that is only partly deserved. Much of the legends of the Wild West are just that: legends. But violence there was. Much of it was about the same thing as charivari in England or The Corrigan Affair in Québec: community policing. Disputes were settled between the belligerents for several reasons, most importantly, the state did not have the power yet to mediate between its citizens.
Historians have been studying this collision between folkways and the rise of modernity since the 1960s. During that era, that great generation of English historians (E.P. Thompson, Christopher Hill, Dorothy Thompson, Eric Hobsbawm) became fascinated by this collision. I always find it interesting when I see the influence of the historians I read in graduate school still on me today, all these years later.
Last semester, our favourite work study student, Alvaro, graduated. Alvaro had worked in our departmental office since we both (as in my wife and I) arrived here in the fall of 2012. For his graduation, we decided to buy him the books that had the greatest impact on us in our development as historians, as Alvaro is planning on going on to graduate school. I got him E.P. Thompson’s The Making of the English Working Class. I first read this book in 1996, my first semester of graduate school. It was one of the few books I read in graduate school where I just couldn’t put it down. Meticulously research, and brilliantly insightful, Thompson crafted an historical study that could stand on its own on its literary merits. I re-read it a couple of years ago. It remains one of my favourite books of all time.
The English Language and Montreal
January 8, 2014 § 8 Comments
An interesting oped appeared in the Montreal Gazette today. It was written by a guy, Nicholas Robinson, who teaches Japanese in Montreal, an expat American who has been there for the past 30 years. He is critical of the Anglo community of Quebec when they kvetch about not getting service in English, whether at the hospital or on the STM. He says that learning French is just as essential to living in Montreal as learning Japanese is to living in Kyoto.
I tend to agree, the fact of the matter is that Quebec is a French province and Montreal is a French city. Last time I looked at census data, just a shade under 600,000 Quebecers identified as Anglos, as defined by speaking English as their mother tongue. That’s 7.7% of the population of Quebec. The largest group of Anglos live in and around Montreal, where 16.8% of the population is Anglo. Statistically, that’s a sizeable minority. And yet, most Anglos, at least in Montreal are at least functionally bilingual.
Robinson goes on to argue that “the French speakers of Quebec have been incredibly tolerant of the anglophone “community,” and a vast swath of them have gone to the immense trouble of learning English — when they don’t have to at all.” I also tend to agree here, though I will note something based on my experience of teaching CÉGEP for 6 years. I would say that somewhere between 40-45% of our students at my Anglophone CÉGEP were francophone, some of whom did not have great English-language skills upon entering the school. But their reason for wanting to go to CÉGEP in English (they often went onto French-language universities) was simple: English is the dominant language in the world today, and is the lingua franca of global business (I would also add that about 70% of my students wanted to get degrees in business or related fields). So there are practical reasons for Quebec’s francophones to learn and speak English.
But, as you might expect, the comments in response to Robinson’s missive are, well, predictable. And vitriolic. They include exhortations that he remove himself from Quebec and “go home.” But the first comment I saw was perhaps the most instructive of all. The commentator lambasts Robinson and notes that Canada is a bilingual nation. And Quebec is a province of that bilingual nation. That much is true.
But. Quebec is not bilingual. In fact, there is only one officially bilingual province in Canada: New Brunswick, though Ontario and Manitoba will also provide services in French to their population. Moreover, despite the fact that, say, British Columbia is a province in a bilingual nation, good luck getting anyone to speak French to you in Vancouver. Canadian bilingualism functions in reality a lot more along the Belgian model: insofar as it exists, it’s regional. Canada has something called a “bilingual belt” that stretches from New Brunswick along the St. Lawrence River valley to Eastern Ontario. Within this belt, you will find a sizeable amount of the populace that can speak both English and French, and you’ll also find some bilinguality in Manitoba. Aside from that, though, forget it.
So, in reality, the Anglophone population of Quebec and Montreal, as Robinson notes, has it relatively good. An Anglophone in Montreal can get an education in English, and healthcare in English, and there is a robust Anglo media in the city. And, I might add, while I can speak French, when I had to deal with the government of Quebec, I tended to at least try to get service in English, in large part because I, like many Anglos, don’t trust my French all that much. This was especially the case when dealing with Revenu Québec or the Ministère de la Santé et les services sociaux. Much to my surprise, this was never a problem. I always got responses in English. A francophone in Toronto gets none of that.
Having said that, Montreal has a robust Anglophone community because it has jealously protected itself and its “rights”, especially since the rise of the Parti québécois’ first government in 1976 and Bill 101 in 1977. But that doesn’t mean that Robinson doesn’t have a point.
Shameless
December 7, 2013 § Leave a comment
We’ve been watching the American version of Shameless off and on for the past year. The American version is based on the British show, but is set in the South Side of Chicago. It is centred around the big and cacophonous Gallagher clan. The patriarch is Frank, played by William H. Macy. Frank is a drunk asshole. There’s no other way to put it. His wife, the children’s mother, has up and left. The family is held together by the eldest daughter, Fiona. There are 5 more children, the youngest of which is 2 (and somehow African American in a family of white Irish Americans; this is never explained). Fiona scrounges and scrimps and saves to keep food on the table and the roof over the heads of the other Gallagher kids. The house is possessed by the Gallaghers through dubious means, involving some welfare scam on the part of Frank. Fiona is left to scam to keep the family together and to keep the rest of the kids from ending in foster care.
I have to say, I enjoy the TV show, though occasionally it hits kind of close to home, in that I grew up mostly poor with an alcoholic and abusive step-father. But, this show is a rather complicated look at poverty, particularly white poverty in America. It also dovetails nicely with Michael Patrick MacDonald’s points about South Boston. The show is set in Canaryville, the historically Irish section of Chicago’s South Side. Canaryville, like Southie or Griff, is rather legendary for being both Irish and hostile to outsiders.
As I watch the show, I can’t help but wonder if Shameless romanticises poverty, portrays it accurately, or stereotypes poor people as scammers. I find myself torn every time I watch it.
On the one hand, the Gallagher clan and their friends struggle everyday trying to make ends meet, but it seems they’re always able to put aside their money worries to have fun. No, they don’t get drunk (except for Frank) and they don’t do drugs. But they do have a lot of fun, there’s a lot of wisecracking, and teasing. There’s also a lot of scamming of pretty much anything that can be scammed, from welfare officers to schools, to businesses and anyone else stupid enough to get involved.
When I was growing up, my life wasn’t exactly as glamourous as the Gallaghers, but it’s not like we spent our entire lives miserable because we were poor. And the “system,” such as it were, was there to be scammed. To a degree. It was not like anyone I knew scammed welfare or Unemployment Insurance (as Employment Insurance was once called in Canada), and so on. Scams tended to be smaller scale. Like scamming free rides on the bus or the Skytrain. Life wasn’t one thing or the other, it wasn’t black and white. It was complicated.
And this is where I think Shameless is a brilliant show. Obviously there is some mugging for the cameras and the creation of some dramatic storylines for entertainment purposes. But it represents the life of these poor white trash Irish Americans in Canaryvlle, South Side Chicago, as complicated. Their lives aren’t all of one or the other. They live lives as complicated as the middle-classes. Perhaps more so, because they’re always worried about having something to eat and having gas to heat the house. In the end, Shameless represents the poor as multi-faceted, complicated people, who are pulled in various different directions according to their conflicting and various roles (as breadwinner, daughter, son, friend, lover, etc.). In short, at the core, their lives are no different than ours. They are, essentially, fully human.
Too often, when I see representations of the working-classes and the poor in pop culture, whether fiction or non-fiction, these representations are nothing more than stereotypes. Poor people are lazy. Poor people are scammers. Poor people are dishonest. Poor people are victims. Poor people need help. And so on and so on. In reality poor people are none of these things and all of these things and more. In fact, the poor are just like you and me. And, at least in my experience, essentialising the working classes does them a disservice.
And this is where works like Shameless or All Souls come in. MacDonald complicates our stereotypes of Southie. He shows us the complications of the impoverished Irish of South Boston, and he makes it impossible for us to stereotype. In the end, Shameless does the exact same thing.
Irish Slums
December 5, 2013 § 4 Comments
Last month, I met Michael Patrick MacDonald at an Irish Studies conference in Rhode Island. He was the keynote speaker. I didn’t know much about him beforehand, other than he wrote All Souls about growing up in South Boston in the 70s and 80s. I knew All Souls was a story about heartbreak, drugs, and the devastation suffered by his family. But MacDonald’s talk was one of the best I’d ever heard, he spoke of Whitey Bulger, drugs, Southie, his work in non-violence and intervention, and he talked about gentrification. He was eloquent and fierce at the same time. He is, of course, an ageing punk. He was also pretty cool to talk to over beers in the hotel bar later that night.
I finally got around to reading All Souls last week. I’m glad I did. I was stunned that MacDonald and his siblings could survive what they’ve survived: three of their brothers dead due to gangs, drugs, and violence. One of their sisters permanently damaged by a traumatic brain injury brought about due to drugs. And another brother falsely accused of murder. It was a heartbreaking read, at least to a point. I know how the story ends, obviously.
It was also interesting to read another version of Southie than the one in the mainstream here in Boston. The mainstream is that Southie was an Irish white trash ghetto, run by Whitey Bulger, terrorised by Whitey Bulger, but all those Irish were racists, as evidenced by the busing crisis in 1974. And while MacDonald tried to revise that narrative, both in his talk and in All Souls, pertaining to the busing crisis, it is hard to argue that racism wasn’t the underlying cause of the explosion of protesting and violence. But, MacDonald also offers both a personal and a sociological view of how Southie was terrorised and victimised by Bulger (and his protectors in the FBI and the Massachusetts State Senate). And, today, he talks about gentrification in a way that most mainstream commentators do not (something I’ve railed about in my extended series on Pointe-Saint-Charles, Montréal, his blog, Pt. 1, Pt. 2, Pt. 3, Pt. 4, and Pt. 5).
But something else also struck me in reading MacDonald’s take on Southie. I found that he echoed many of the oldtimers I’ve talked to in Griffintown and the Pointe in Montréal about their experiences growing up. Griff and the Pointe were the Montréal variant of Southie, downtrodden, desperately poor Irish neighbourhoods. And yet, there is humour to be found in the chaos and poverty, and there is something to be nostalgic for in looking back.
MacDonald writes:
I didn’t know if I loved or hated this place. All those beautiful dreams and nightmares of my life were competing in the narrow littered streets of Old Colony Project. Over there, on my old front stoop at 8 Patterson Way, were the eccentric mothers, throwing their arms around and telling wild stories. Standing on the corners were the natural born comedians making everyone laugh. Then there were the teenagers wearing their flashy clothes, their ‘pimp’ gear, as we called it. And little kids running in packs, having the time of their lives in a world that was all theirs.
This echoes something journalist Sharon Doyle Driedger wrote of Griffintown, where she grew up:
Griffintown had the atmosphere of an old black-and-white movie. Think The Bells of St. Mary’s,with nuns and priests and Irish brogue and choirs singing Latin hymns. Then throw in the Bowery Boys, the soft-hearted tough guys wisecracking on the corner.
The difference, of course, is that MacDonald’s ambivalence runs deep, he also sees the drug addicts and dealers, and the grinding poverty. Doyle Driedger didn’t. But, MacDonald is standing in Southie as an adult when he sees this scene, Doyle Dreidger is writing from memory.
Nostalgia is a funny thing, and it’s not something to be dismissed, as many academics and laypeople do. It is, in my books, an intellectually lazy and dishonest thing to do. Nostalgia is very real and is something that tinges all of our views of our personal histories.
But what I find more interesting here are the congruencies between what MacDonald and Doyle Driedger writes, between what MacDonald says in All Souls and what he said in his talk last month in Rhode Island, and what the old-timers from Griff and the Pointe told me whenever I talked to them. There was always this nostalgia, there was always this black humour in looking back. I also just read Roddy Doyle’s Paddy Clarke Ha Ha Ha, about a kid growing up in Dublin’s Barrytown, a fictional inner-city neighbourhood. Through Paddy Clarke, Doyle constructs an idyllic world for a boy to grow up in, as he and his mates owned the neighbourhood, running around in packs, just like the kids in Southie MacDonald describes, and just as MacDonald and his friends did when they were kids.
I don’t know if this is something particular to Irish inner-city slums or not. But I do see this tendency as occurring any time I talk to someone who grew up in such a neighbourhood, or read stories, whether fiction or non-fiction, to say nothing of the music of the Dropkick Murphys (I’m thinking, in particular, of almost the entirety of their first album, Do Or Die, or the track “Famous for Nothing,” on their 2007 album, The Meanest of Times), I’m not one for stereotyping the Irish, or any other group for that matter, I don’t think there’s anything “inherent” to the Irish, whether comedy, fighting, or alcoholism. But there is something about this view of Irish slums.
Ken Dryden and Prosthetic Memory
December 2, 2013 § 8 Comments
On Saturday night, I went to the Bruins’ game with a buddy. Those who know me know that the only thing on God’s Green Earth I hate are the fucking Bruins. My buddy, John, is a Bruins’ fan. He has no love lost for my Canadiens de Montréal. And everytime he goes on and on about the Big Bad Bruins of the early 70s, the teams of his childhood, I say two words to him: Ken Dryden.
For those of you who don’t know, the Boston Bruins won the Stanley Cup in 1970 and 1972. They were a big, rugged team led by Phil Esposito, Wayne Cashman and, of course, Number 4, Bobby Orr. They were far and away the best team in hockey in the early 70s. But in 1971, something happened that disrupted their reign: the Montréal Canadiens. The Habs weren’t that good in 1971. They had won the Stanley Cup in 1969, but in 1970, they were the first Habs team to miss the playoffs since 1948. And the Habs wouldn’t miss the playoffs again until 1995. In 1970-71, they were an average team.
But then, in the spring, a call-up from the American Hockey League took over the Habs’ nets. Ken Dryden was his name. In the first round of the playoffs that year, the Habs took on the Big Bad Bruins. The Bruins finished with 121 points in 78 games, 12 more than the 2nd place New York Rangers. The Habs finished a full 24 points back. But the Canadiens knocked off the defending champs in the first round in 7 games, finally eliminating the Bruins in the hostile confines of the old Boston Garden. The Habs, riding Dryden’s brilliance, went on to win the Stanley Cup over the Chicago Blackhawks.
I wasn’t born in 1971, it would be a full two years until I made my début. My first hockey memories are from 1976 or so, I vaguely remember seeing a game between the Canadiens and Vancouver Canucks on our old black and white TV, and my dad took me to the Stanley Cup parade that spring in Montréal. But. Just as with Paul Henderson’s series-winning goal against the Soviets in 1972, Ken Dryden’s run in the spring of 1971 is burned into my memory.
How does this happen? Alison Landsberg’s 2004 book, Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture, attempts to explain. Due to the onslaught of mass media in our lives, we are increasingly able to assimilate the memory of things we did not experience. Thus, I can see, in my mind’s eye, the incredible artistry of Ken Dryden in the spring of 1971 before I was born, and long before I had any sentient thoughts.
From where we sit in 2013, almost 2014, nearly a decade since Landsberg published her book (and nearly two decades since her argument was made for the first time in an article in one of those 90s books about the “cyber-world” and “information super-highway”), the argument seems rather obvious. But it wasn’t a decade ago.
And yet, whilst Landsberg focuses on the proliferation of mass media, it is also clear that the internet plays a very clear role in the formation of prosthetic memory for her. In the case of Ken Dryden, my memories were made in the 1980s. In 1984 and again in 1986, the Habs had young, hot goalies in net to start the playoffs. Steve Penney carried a pretty lousy team to the semi-finals in 1984 and two years later, Patrick Roy carried a mediocre team all the way to the Cup. Both years, Hockey Night in Canada ran endless Dryden video, and talked about Dryden. The newspapers I read, all the way out in Vancouver, talked about Dryden. The Hockey News, of which I was a dedicated reader, talked about Dryden. I went out and bought Dryden’s book, The Game, with my own money because of the 1986 playoffs and the myth-making. And while, clearly, mass media was central to the formation of my prosthetic Dryden memories as a kid in the 80s, this is long before the internet.
The interesting thing is that, when I taught in Montréal, at both Concordia University and John Abbott College, my students, who were born in the late 80s and early 90s, long after Dryden retired, and at the height of Roy’s brilliance, knew about the legends of Ken Dryden, as if they were born with fully formed prosthetic memories.
I read an article on the BBC’s website today about how memories can be transferred from generation to generation through biology. A study of mice at Emory University in Atlanta has demonstrated how this works. For the study, a generation of lab mice were trained to fear the smell of cherry blossoms. This fear was passed on to their children and grandkids, even though the children and grandchildren had never experienced anything negative surrounding the scent of cherry blossoms.
Maybe the legends of the Montréal Canadiens are passed on this way, from father to son and daughter. Maybe this is why I can see in my mind’s eye Howie Morenz rushing up the ice in the late 1920s, when my grandfather was just a lad?
OMG! Seriously?: On Language and Swearing
October 21, 2013 § 2 Comments
In today’s Boston Globe, I read a column that I thought had been printed by mistake. Or maybe it was a leftover from 1976. Jennifer Graham, a columnist for the venerable (and quite good) Boston daily, is upset that OMG and it’s more offensive variety, “Oh my God!” are lingua franca in our culture today. She’s upset that blasphemy is everyday language. To which I say, where have you been for the past 40 years, lady?
I am from a culture where all the choice swear words are religious-based. French Canadians have a whole range of blasphemous and offensive words for all situations, the worst of which is “Tabarnak!” That literally means “tabernacle.” Other highlights are “câlisse!” and “osti!” (chalice and the holy host, respectively). If you really wanna set grandma’s wig on fire: “osti de tabarnak câlisse” will do the trick. Once more, in English, that’s “holy host of the tabernacle, chalice!” Sounds much better in québécois French, trust me. When I was a kid, these were very bad words (even Anglos in Québec swear in French, it’s much more fun), respectable people did not use them. But, by the time I was an adult, they were everywhere, even in polite company, including in newspapers, on TV, and even my dear great aunt once said “tabarnak!” (I nearly fell over).
It doesn’t take a linguist to figure out that the ramping up of swearing is due to the general breakdown of authority in western culture as a whole in the past 40 years. Sometimes even I am stunned by what I hear coming out of the mouths of my students in the hallways and around campus. Some of the names they call each other, even in jest, would flip the wig of my grandmothers, I can tell you that much.
But. Oh my god? Seriously? Graham is upset by this one because she thinks it insults people’s value systems. Oddly, I learned this particular gem within my Catholic family as a kid. For that matter, my memory of this gem of a swear is that I have tended to hear it from the mouths of Catholics, especially devout ones. Sacrilegious? Oh, heck yes. But spend an hour watching Irish TV and you’ll see what I mean.
It seems to me that Jennifer Graham is about a generation or two late in her hand-wringing over the use of oh my god in pop culture.
On Living in a Gentrifying Neighbourhood, Pt. V
October 2, 2013 § 6 Comments
[I thought I was done with this series (parts I, II, III, and IV and the prequel) when I left Pointe-Saint-Charles last summer and moved to New England. Apparently not.]
In the mid-1980s in Vancouver, the BC provincial government built the SkyTrain, a new light-rail system connecting the western suburbs of New Westminster and Burnaby to the City of Vancouver. SkyTrain caused a lot of disruption when it was built, as you might expect for a brand new system. When it finally opened, just in time for Expo ’86, people were excited. Vancouver finally got rapid trasit! But some people weren’t so happy, the people who lived along the line in New West, Burnaby, and East Vancouver (it’s worth noting the SkyTrain went primarily through working-class neighbourhoods). I recall a news segment that investigated the claims of the noise. In particular, I remember a glass of water on a counter next to an open window as the SkyTrain went by. The water didn’t move. At all.
Nonetheless, I can understand in the inconvenience of the SkyTrain for those whose day-to-day lives were affected by it. They were there before SkyTrain, it moved into their neighbourhood.
But let us now consider Pointe-Saint-Charles. The Pointe has been home to a train yard since the Grand Trunk Railway built its yards there in 1853. For those of you who are mathematically challenged, that’s 160 years ago. In other words, the trains have been in the Pointe for a long, long time. And for much of its history, the trains were part and parcel of the experience of living in the Pointe. There was a train yard there. Life goes on.
But, as I’ve been noting in this series, the Pointe is undergoing redevelopment and gentrification. And nowhere is this clearer than in that part of the southern part of the Pointe which, even a decade ago, was a pretty dodgy part of town. Here, people have been snapping up cheap housing, both the 19th century stock and hideous new condos, and movingin. The Pointe, ever-so-slowly has become a more happening place because of this gentrification and that closer to the north end of the neighbourhood, near the Canal and the Nordelec building (which is in the process of being condofied now). In short, the yuppies (of whom I was obviously one when I lived there) are moving in.
For the most part, the process of gentrification has been more or less smooth in the Pointe, but, then again, I’m not one of the people being priced out of the neighbourhood. But the tension that exists in Saint-Henri was lacking in the Pointe. But, there were subtle changes in the culture of the neighbourhood when I lived there. This was seen most obviously to me in the case of the community garden at the end of our block. A couple of years ago, the arrivistes took control of it and essentially pushed the old-timers out of the garden. Not cool.
So, today I was reading the news on CBC Montréal, and I came across this little gem. Some of the yuppies who’ve moved into that southern part of the Pointe (taking advantage of cheap housing and pushing the poor out) are crying foul over the sound of the trains at all hours of the day. Yup. Imagine that! Trains! In a train yard! One resident hears the trains and he gets afraid of what might happen. Others complain sound like The Grinch, complaining about the noise, noise, noise!
Certainly, some of this is in response to the disaster in Lac Mégantic. But, it is worth noting that in all my years in the sud-ouest, I cannot recall a single accident involving trains in Pointe-Saint-Charles or Saint-Henri. Accidents between cars, bikes, and peoples, certainly. But not trains.
So, these people want Canadian National to reduce the trains and the noise they make. This is not unprecedented. There is a condo building on rue Saint-Ambroise in Saint-Henri, right where the CN tracks go through Saint-Henri. When it was first opened up, the people who bought in there respectfully asked that the Canadian National STOP running trains through their backyards. That line, which is connected to the largely disused yards in the Pointe, remains one of the busiest train tracks in North America, used by CN and ViaRail between Montréal and Ottawa and Toronto. I’m not making that up.
It would seem to me that one of the basic facts of living in a city is that there is noise. And if you are on the market for a new condo, you would look at what’s around you in your new neighbourhood and consider the inconvenience of the noise factor, or other things that might upset you. And, if you move into a condo near a train yard, you might want to consider the fact that it’s going to get loud occasionally. Trains are like that, they’re loud (I can hear the Commuter Rail train from my house here at all hours of the day and night, in fact, one is going by right now!). It is asinine and selfish to move into a neighbourhood with a train yard in and then act surprised when there are trains that make lots of noise. It is the height of idiocy, quite frankly. If you don’t like the noise, then go live somewhere else. It’s that simple. And so, that is my solution for these fine people in the Pointe. Sell. Move elsewhere.
Matthew Barlow 