Update

January 31, 2012 § Leave a comment

Ah, what the hell, this is my blog, if I can’t flog my media appearances and other publications and whatnot here, where can I?  I’ve been rather silent around here for the past 8 months or so, though that will change in the coming weeks.

First, I have submitted the manuscript for my book, The House of the Irish: History, Memory & Diaspora in Griffintown, Montreal, to the publisher.  It is out for review now, and with any luck, it will appear on bookshelves and on-line stores around this time next year. Academic publishing moves rather slow at times.  As long as The House of the Irish appears before 2014, we’re good.   I published an article on the Montreal Shamrocks Hockey Club at the turn of the last century in a book edited by John Chi-Kit Wong of Washington State University, entitled Coast to Coast: Hockey in Canada to the Second World War. I wrote the article in 2005-6, it was published in 2009.

I have a raft of ideas for the next projects, but two I am pursuing, or will be once I get the chance later this semester are:
1) I wrote my MA thesis on the Corrigan Affair, which involved the fatal beating of a neighbourhood bully, Robert Corrigan, by a gang of his neighbours in Saint-Sylvestre, Québec, in October 1855.  Corrigan was an Irish Protestant, and his attackers, Irish Catholics. What’s more, the Orange Order and an Irish Catholic secret society, the Ribbonmen, got involved. This led Corrigan’s death to become a cause célèbre in the era of heavy sectarian tensions in 1850s Canada.  Right now, this looks like it will become a book.

2) Boston as the cultural centre of the Irish diaspora. I am fascinated by the Irishification of Boston in recent years in pop culture. Sure, Boston’s always been a major centre of the Irish diaspora, but as the city itself has become less and less Irish over the years, it has become more and more green in pop culture.  Aside from the obvious, a basketball team called the Celtics, you’ve also got the Affleck brothers who play up that Southie culture in film, the novels of Dennis Lehane, and, of course, the music of the Dropkick Murphys.  I’m not sure how this will proceed, whether as an article, a book, or a documentary film, but time will tell.

In the meantime, last month’s controversy surrounding the Habs and the firing of Jacques Martin and his replacement by a unilingually Anglo coach in Randy Cunneyworth found me doing a bit of punditry in the national media here in the Great White North.  First, an article that appeared on Canoe.ca and then I was on Global National news later that week. And way back in September, I welcomed the Winnipeg Jets back to the NHL on the National Council on Public History’s Off the Wall blog.

At any rate, as I move forward with these projects and begin to think about history, memory, and the public in coming months, there will be a lot more here. As they say, “Watch this space!”

Les Expos, Nos Amours: Gone, but not Forgotten

April 25, 2011 § Leave a comment

Last October, as the Expos should have been winning the World Series, I wrote a piece at the National Council on Public History‘s blog, Off the Wall, about the strange marketing after life of Nos Amours. This provoked a steady stream of comments, both on that site and into my inbox, as well, to a lesser degree, here at Spatialities. One of my readers, Sarah, pointed out Montréal rapper Magnum .357′s track “Expos Fitted.

It seems that rap has emerged as a key component to remembering our long gone baseball team here in Montréal. Aside from Mag .357, Anakkin Slayd, who is more famous right now for his viral hit, “MTL Stand UP”, also wrote a song about the Expos, “Remember”.

The Real and True Story of the Birth of Rap Music

April 2, 2011 § Leave a comment

First, I have been MIA for a bit from here @ Spatialities and from my duties over @ Current Intelligence.  I have been off on medical leave from work since February. Regular programming here and @ CI will resume shortly. In the meantime, I am spending a lot of my time recovering reading. I have been ploughing through books, taking advantage of all of this free time to read. I’ve been reading all kinds of things, both fiction and non-fiction, everything from paperback novels to philosophical ones, from philosophy to history and current affairs. The fruits of my labours will soon be appearing on my CI blog, “Advance Copy.”

Anyway.

I teach Western Civ every semester. Teaching the same course over and over again, well, I need to find ways to make it interesting. And for the students, too, they are forced to take the course, it’s a requirement in the Social Sciences programme at John Abbott College. So, we all need coping mechanisms. One is obviously humour. When we get to the Reformation, we get to that great anti-Semite, Martin Luther (who my students inevitably confuse with the Rev. Dr. Martin Luther King). And whilst explaining how the Lutheran Reformation came to be, I discuss the protection Luther received from Frederick of Saxony, who gave Luther shelter against the Holy Roman Emperor, Charles V. As an aside, Frederick was actually the pope’s choice to become the next Holy Roman Emperor in 1519. Turns out it was a good thing he didn’t become Holy Roman Emperor, since Frederick was instrumental in the Lutheran Reformation.

Back to the main point: there is this great picture of Luther and a bunch of other men standing behind Frederick, a rather large, portly man, who is standing in what can only be described as his b-boy stance, wearing some heavy gold jewellery around his neck (see picture below), with his posse (Luther is the sour-faced dude at Frederick’s right shoulder). I explain to my students that Frederick was actually the first gangsta rapper in history.

It turns out, however, I was wrong. Frederick was not the first gangsta rapper in history. Moreover, rap was not, as has long been thought, invented in the Boogie Down Bronx in the 1970s. Nope, rather, rap was invented in the early 7th century Before Common Era by the Assyrian emperor, Sennacherib, following his defeat of the Elamites in 691 BCE.

Sennacherib had his court historian record the events of the war, from the emperor’s point of view. The account of the war is pure braggadocio, hype, and chest-thumping, not unlike early hip hop. See, for example, KRS-One’s video for “Outta Here” from 1993.

Compare KRS-One’s lyrics with Sennacherib’s account, taken from a quote in John Keegan’s A History of Warfare, the quote itself taken from H. Saggs’ The Might That Was Assyria:

I cut their throats like sheep…My prancing steeds, trained to harness, plunged into their welling blood as into a river; the wheels of my battle chariots were bespattered with blood and filth. I filled the plain with the corpses of their warriors like herbage…[There were] chariots with their horses, whose riders had been slain as they came into the fierce battle, so that they were loose by themselves, those horses kept going back and forth all over [the battlefield]…As to the sheikhs of the Chaldaceans [Elamite allies], panic from my onslaught overwhelmed them like a demon. They abandoned their tents and fled for their lives, crushing the corpses of their troops as they went…[In their terror] they passed scalding urine and voided their excrement in their chariots.

Seriously, just throw a beat under that, and you’ve got a dope track. So, hip hop, it turns out, is approximately 2800 years older than we thought it was.

Between the Horns

January 10, 2011 § Leave a comment

My good buddy, Jason Santerre, has started a new blog, Between the Horns, to give him some space to ruminate on one of his passions, heavy metal (the other being the Habs). Go check it out. Aside from being a metal head, Big J. has a gentle soul, and he just happens to be a wonderful poet, too.

Magnum .357: “Expos Fitted”

October 23, 2010 § 1 Comment

A tip of the hat to Sarah, who posted a comment in response to Nos Amours (and check out the original post at NCPH’s Off The Wall), directing us to a video of Montréal rapper Magnum .357 and his début single/video, “Expos Fitted.”  She posted the video in her comment, but I think it deserves wider exposure.  I especially love the nostalgia of the Expos dressed up as gangsta rap.

Mag .357 is practically my neighbour, he hails from Montréal’s Anglo-Black neighbourhood, Little Burgundy, which is across the Lachine Canal from me here in Pointe-Saint-Charles.  Burgundy is a curious neighbourhood, as it is home to both inner-city gang violence and yuppies who have gentrified the old worker’s cottages and triplexes that line the streets.  It is also one of the oldest Black communities in Canada.

Burgundy also has a long history of being a centre of entertainment in Montréal.  In the wake of Prohibition in the US and before the rise of Jean Drapeau as mayor of the city in 1960, Burgundy was home to various jazz clubs, most notably the legendary Rufus Rockhead’s Paradise.   Oscar Peterson and his student Oliver Jones, the two greatest jazz musicians this country has ever produced, also grew up on the streets of Burgundy.  In this sense, Mag .357 is carrying on the tradition.

I have to say, I love this track and I’ve been checking out his MySpace page.  Enjoy.

 

French Culture in Downtown Montréal

June 22, 2010 § Leave a comment

One of the most persistent complaints of the linguistic nationalists of Québec is about the fate of the French language in downtown Montréal.  They claim it’s an English centre again, that they can’t get served in their own language anymore.   It’s true to a degree, you hear more English in downtown Montréal than anywhere else in the city, but it’s not just because of the old Anglo business class.  It’s also because downtown Montréal is where the tourists go, along with the old city.  And the tourists, largely Americans, like to be served in their own language.  But you want service in French, it’s there. 

But there is a creeping Anglicisation going on here, culturally-speaking anyway.  The downtown movie theatres don’t show French-language films, and if they do, they’re subtitled in English.  There are no French-language bookstores downtown.  There is an Indigo, a Chapters, a few Coles, and Paragraphe, which, despite its name, is an English-language store.  There was a Renaud-Bray near Concordia University, but it closed a few years back and is now a chicken restaurant.  The big Archambault in the old Eatons store is now a clothing store.  The French-language music section of HMV downtown is wanting.  And French-language DVDs there? Forget about it.

Yesterday, I was on a mission.  I wanted to find a québécois film, le 15 fevrier 1839, about the plight of a few Patriote rebels and their execution in prison by the British on 15 February 1839.  Anyway, this was a big film when it came out a few years back, caused a lot of controversy.  One idiot writing in The Hour even claimed the Patriotes were génocidaires.  So, I thought it would be easy to find.  HMV doesn’t carry French-language films, though it does have a big section of French-language TV DVDs.  The movie store in the Carrefour Industrielle-Alliance, its “Section française” is about 3% of the store.  Indigo, forget about it.  So I walked to the Renaud-Bray in Place-des-Arts.  Nope, its film section is all English-language movies.  So, for sure, the big Archambault at the corner of Sainte-Catherine and Berri would have it, correct?  Nope.  Its film section is also about 95% English-language films.  Their québécois section is tiny, and shoved into the back corner of the store.

I don’t get this.  Québécois cinema is the only one in Canada that is actually watched.  People go to québécois films here, they make money, and so on.  But don’t try t0 find québécois films on DVD in downtown Montréal, my friends.  Because they’re not there.  In the end, I had to go up the rue Saint-Denis to Boîte Noîre to find my film.  The Plateau, that is.

The Apocalypse is Nigh

May 16, 2010 § Leave a comment

We interrupt regularly scheduled programming here on Spatialities to bring you the following developing news: this weekend, the Théâtre Corona, here in Montréal, held a 2-night tribute to Phil Collins: Dance into the Light: Le Meilleur de Phil Collins. The Phil Collins impersonator is Martin Levac, billed as “the best impersonator of Phil Collins” in the world, and his show spent last spring at Le Capitol in Québec before embarking on a 20-city European tour.

Yes.  Phil Collins merits a tribute show.  I always thought that in order to merit a tribute, an artist had to be, well, an artist.  A Phil Collins tribute.  WTF?!?

Nuit Blanche à Griffintown

February 20, 2010 § Leave a comment

This Saturday, 27 February, is Nuit Blanche in Montréal, and there will be an event in Griffintown to celebrate.  Organised by Le Comité pour le sain rédeveloppement de Griffintown, spearheaded by Judith Bauer, the event will be taking place at the site of the New City Gas Works, owned by Harvey Lev, located at 140 and 143, rue Ann.

There’s a whole bevy of cultural events on deck, including talks about the history of the neighbourhood, poetry readings, live music, artwork, and all kinds of other fun stuff.  The website is here.

Also of note is that the Griffintown Horse Palace Foundation will have a table there to sign people up for membership and to raise funds for our ultimate goal, to buy and convert the Griffintown Horse Palace into a museum.

Diaspora and the Haitian Earthquake

January 25, 2010 § Leave a comment

I spent a chunk of my weekend reading theory on diaspora and transnationalism, as I begin the process of writing the Introduction to the book, so these topics were fresh in my mind when I read The Gazette today.  Today, here in Montréal, a group of global bigwigs, including US Secretary of State Hilary Clinton, French Foreign Minister Bernard Kouchner, as well as foreign ministers from Canada, Japan, Brazil, and a hanful of other nations, plus the UN, are meeting with Haitian Prime Minister Jean-Max Bellerive to discuss rebuilding plans for Haiti. 

Upon arriving in Montréal yesterday and meeting with Québec Premier Jean Charest, Bellerive told reports that the Haitian diaspora is fundamental to the re-building of his nation:

We need a direct, firm and continuous support from them. This cataclysm has amplified the movement (of people) out of Haiti, unfortunately. We will have to work hard to encourage them to come back to Haiti…I’m very happy that the help has now arrived and is being distributed, because we had a lot of logistical problems in my country.

In other words, the Haitian diaspora is a transnational one, as it stretches across several nations in addition to Haiti (including Canada and the US), and a dynamic relationship exists between Haiti and its diaspora, diasporic Haitians have not just settled in places like Montréal and New York City, they also continue to send money back to Haiti, establish charities and trusts, and so on.  In the days since the earthquake there, and its aftershocks, I’ve been struck by the actions of prominent diasporic Haitians, such as Indianapolis Colts’ receiver Pierre Garçon, former Montréal Canadiens’ tough-guy Georges Laraques, Philadelphia 76ers’ Samuel Dalembert, and musicians such as Wyclef Jean and the Arcade Fire’s Régine Chassagne, amongst others.  They, along with less-well-known Haitians, have been working feverishly raising funds, visiting Haiti, helping in rescue efforts and so on.  Indeed, the Haitian diaspora has been instrumental in not just raising consciousness, but in keeping Haiti in the global consciousness beyond the initial burst of news of the earthquake, to work towards a rebuilding plan for a devastated nation. 

Bellerive’s recognition of that is impressive, as national leaders tend not to recognise the importance of their nations’ diasporas, even in times of trouble.  And yet, transnational diasporas are central to the homeland nation, as the Haitian example makes clear.

Punk Rawk, Maaaaan!

January 14, 2010 § Leave a comment

I managed to not sound entirely daft in an interview with the Halifax Commoner on the place of women in punk rock.  That’s a goal in and of itself, no?

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