June 14, 2018 § 1 Comment
At the end of May, at the annual Congress for the Humanities and Social Sciences in Regina, SK, my book, Griffintown: Identity & Memory in an Irish Diaspora Neighbourhood, won a CLIO Award from the Canadian Historical Association. I wrote the best book in Québec history last year. I was stunned and surprised when I found out about this award in early April and I remain just as gobsmacked today.
It is very humbling to be recognized by your peers for your work, I have to say. It has also been humbling to see the response to the book as a whole. Last September, I hosted a book launch back home in Montreal at Hurley’s Irish Pub. It was an amazing night, as new and old friends came out, well over 100 people in all, spilling out of our main room into the bar area. In April, to celebrate the American launch of the book, I hosted another launch at Amherst Books in Amherst, MA. It was another gratifying evening, as more people than I could count came out, including friends, colleagues, and even students. We sold out the stock of the book in short order.
I am proud of this book. I think it’s a good book. But that’s only part of the story. The book is also beautifully packaged, designed by the team at University of British Columbia Press, using the art of my good friend and colleague, G. Scott MacLeod. Scott’s art makes my book cover look so stunning.
Working with UBC Press was wonderful. I had excellent editors in Darcy Cullen, the acquisitions editor, and Ann Macklem, the production editor. I enjoyed working with Darcy so much that I was sad when she passed me off to Ann. But Ann was also amazing to work with. Darcy and Ann made the often Byzantine process of academic publishing easier and more sensible to me.
And my anonymous reviewers; I know who they are now. But I will respect their anonymity. All I can say is that they both were incredibly encouraging. They found the holes in the manuscript I knew existed, they found some I didn’t realize. But they both also offered many options and possibilities to fill those gaps in the research, the theory, and so on. I learned a lot about writing a book and about history, theory, and method from them.
My book is, obviously, better for the experience with UBC Press, and my anonymous reviewers. And for that, I am eternally grateful. I am also grateful to the committee that determined the CLIO Awards, and to everyone else along the way, both before and after publication, who was supportive and encouraging.
June 12, 2017 § Leave a comment
At long last, my book, Griffintown: Identity & Memory in an Irish Diaspora Neighbourhood, is out from UBC Press. It is available in hardcover at present, though the paperback is coming in the fall.
I am particularly pleased with the cover and design of the book. The artwork on the cover come from my good friend and co-conspirator in Griff, G. Scott MacLeod. He and I have worked on The Death and Life of Griffintown: 21 Stories over the past few years.
Griffintown has long fascinated me not so much for the history of the neighbourhood, but the conscious effort by a group of former residents to reclaim it, starting in the late 1990s. I identified three men who were central to this process, all of whom have left this mortal coil in recent years: The Rev. Fr. Tom McEntee, Don Pidgeon, and Denis Delaney. These men worked very hard to make the rest of Montreal remember what was then an abandoned, decrepit, sad-sack inner-city neighbourhood. That Griff is known historically for its Irishness is a tribute to these men and many other former residents, most notably Sharon Doyle Driedger and David O’Neill, who worked tirelessly over the late 1990s and 2000s to reclaim their former home. The re-Irishification of Griffintown is the central story in my book. But I also look at the construction of Irish identity there over the 20th century, and the ways in which the Irish there performed every-day memory work to claim and re-claim their Irishness as they confronted their exclusion from Anglo-Montreal due to their poverty and Catholicism.
The Irish of Griffintown were fighters, they were insistent on claiming Home, even as that home disintegrated around them, due to deindustrialization and the infrastructural onslaught wrought by the Ville de Montréal, the Canadian National Railway, and the Corporation for Expo ’67. But, at the same time, they also left, seeking more commodious accommodations in newer neighbourhoods in the sud-ouest of the city, and NDG.
That these former residents could reclaim this abandoned, forgotten neighbourhood as their own speaks to the power of these people. These people were working- and middle- class men and women, ordinary folk from all walks of life, who were determined their Home not be forgotten. They re-cast Griff in their memories without the help of the state, without the help, to a large degree, of institutional Montreal.
I cannot over-state the impressive feat of these ex-Griffintowners. It has been a lot of fun to both study this process and work with and talk with many of those involved in this symbolic re-creation of Griff, drawing on an imagined history of Ireland and their own Irishness in the diaspora. And I am mostly relieved that the book is, finally, out.