Writing the History of the Trump Era

February 14, 2017 § 4 Comments

A couple of weeks ago, I was asked how future historians will be able to tell our history?  We live in what is allegedly a post-fact era.  First things first, whatever you want to call it, post-fact, post-truth, alternative facts, these are all just lies.  I have already commented on this.  Nonetheless, whether this is just a re-labelling of lying, we are still in this cultural moment.  Every day the Trump administration deals in what White House Counsel KellyAnne Conway calls ‘alternative facts.’  What is the truth now, my interlocutor wanted to know?

I have been asked this question in a variety of ways in the past year and it is a real challenge we face.  But we don’t face in terms of future historians, academics and journalists are already facing the problem.  Michael A. Innes, a good friend of mine, has been thinking about this of late too.  He notes that

Media outlets come in all shapes and sizes.  Some are loud and boisterous, while others are more stoic. “Newspapers of record” are a recognized form of the latter.  Some try to report what happened, while others try to convince readers why and how they happened. Media output, in other words, can serve more than one purpose, and only one of them is to provide researchers and analysts with a source of evidence needed to  determine the factual basis of past events: what happened, when it happened, who was involved, what they said about what happened and so on.  Reconstructing past events is a tricky business, and some media environments are so highly politicized – the rhetoric so overheated and contentious – that verifiable facts are almost impossible to discern from the collection of color and misdirection in which they’re embedded.

Indeed.  The reconstruction of the past is indeed a tricky bit and I will go further than Innes and argue that it is an inherently political act.  This is true whether it’s on the minor scale, such as I did in reconstructing a version of the history of Griffintown, Montreal (and yes, I am enjoying linking my own book).  But it’s also what societies and cultures do anyway.

When we reconstruct the past, we do so from a variety of sources, including printed records, including government documents, diaries, published work, literature.  We also use film, TV shows, documentaries, and music.  We use oral sources, both those already collected and ones we collect.  And we also make use of the digital: Twitter, Facebook, Reddit, blogs, etc.  We have to make decisions in what gets included in our reconstructed histories.

Historians, we tend to go further than journalists.  Innes notes that some media outlets report on what happened, whilst others focus on why  and how they happened.  And quite often the latter try to convince you of the version of events they are pushing. This is the difference between, say, The New York Times and Breitbart, or the CBC and FoxNews.  The Times and the CBC deal in facts in reporting the news, and editorials are clearly labelled.  In the case of Breitbart and FoxNews, there is a blurring of ‘news’ and editorials.

When I teach, I always remind my students that we are more interested in the how and the why of history, we need to move beyond facts and into interpretation.  How do we do that? Logic and reasoning.  We use other scholars as guides.  We read what other historians have written on the subject, or an analogous subject.  We consider their interpretations based on the evidence.  We agree or disagree.  Or we agree and see another possibility.  And so on.

Back in Grade 2 or thereabouts, my teacher introduced us to the who, what, when, where, why and how? The key questions for all situations.  So in writing history, we begin with the who, what, when, and where.  We establish the facts.  And we establish these from our sources.  Even in this post-fact era, there are still facts.  They still get reported, they’re still plain to find in doing research.  And from there, we ascertain the why and the how.

So how do we source that in the post-truth world?  Innes notes the guerrilla archiving of data, creating an archive of truth and records of the real world to counter the post-factual. But there are other, more simpler ways we do this through the ‘reading’ of our sources, whether they are government documents, newspapers, novels, films, music, Twitter, and so on.  When we read these sources, we do so within a cultural context, of course.  And we do tend to have strong bullshit detectors.

My MA thesis tells the story of the Corrigan Affair, which erupted in Sainte-Sylvestre, Quebec, in late 1855 when neighbourhood bully, an apostate, Robert Corrigan, was beaten to death by a gang of his Irish-Catholic neighbours at the county fair.  When his murderers evaded capture for the next six months, all hell broke loose in a highly sectarian Canada.  Anglo-Protestant politicians and newspapers were beside themselves over the fact that these Irish-Catholic ‘hooligans’ managed to evade the state’s attempts to bring them to justice.  They did so through the help of their neighbours and an intimate knowledge of geography of the Appalachian foothills of southern Quebec.

The local Anglican priest in Saint-Sylvestre, Rev. William King, was ground zero for the ‘alternative facts’ of the Corrigan Affair.  In daily dispatches to government ministers and the Quebec City  press, Rev. King constructed an alternate reality where the Irish-Catholics of Sainte-Sylvestre were parading around openly armed and threatening Anglo-Protestant, beating them nearly to death for fun.  He told of marauding gangs of Irish-Catholics breaking into homes in the middle of the night and tearing homes to pieces and beating the men and boys of the house.  Rev. King’s invented reality was accepted verbatim by government ministers and the Quebec City press.

So how did I find out what happened in Saint-Sylvestre in the fall and winter of 1855-56?  I reconstructed events through a mixture of sources, both government and official and vernacular.  I relied on petitions from the Irish-Catholics of Saint-Sylvestre, who claimed to be brutalized by the Orange Order.  I relied on the French Canadian press of Quebec, which watched both sides with bemusement.  I read the depositions of the French Canadians of Saint-Sylvestre, who were similarly bemused by their neighbours’ actions.  and from these varying sources, I reconstructed the events of the Corrigan Affair.  I learned to tell fact from fiction, or at least something that looked more likely to have occurred than not.

And this is what historians will do when they tell the story of our time.  They will look at the lies that are produced at the White House and then compare that to what other sources say about what is going on, including the media, but also our Twitter feeds, our Facebook posts, our Reddit commentary.  Maybe even blogs like mine.

We will continue to examine history as we always have, sifting through varying and contradictory versions of events to reconstruct what actually did happen.  And, of course, being a public historian first and foremost, I will be fascinated by the myth-making at the White House, and the puncturing of that myth by the rest of society, about the hows and whys we choose to remember this time.

 

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§ 4 Responses to Writing the History of the Trump Era

  • kalison0515 says:

    The first myth created and continually reinforced by the Trump Administration is that voter fraud was the reason why Trump lost the popular vote. With this crowd, assertions and beliefs = facts and challenges to them are not tolerated. It’s unfortunate that part of this guy’s legacy will be informed by his Twitter feed. He really needs to close the account.

    • This was the same thing he kept saying through the campaign: if he lost, it would be because of voter fraud. And the fact that he keeps repeating the lie that he lost the popular vote due to voter fraud undermines democracy. I can’t believe he is allowed to keep his Android phone and the Twitter account, let alone use the balconey at Mar-A-Lago as a SitRoom, when the rest of the area is not closed off.

  • Very good blog. Memory is a very slippery thing. I have been very interested in this for many years and will be giving a study group here on the topic of the brain (and memory) soon. Came across this article regrading the memory of Jewish survivors of Nazi and Soviet anti-Semitic actions and their memories and recollections. [https://aeon.co/essays/what-the-oral-histories-of-russian-jews-reveal-about-memory]

    What is most interesting is the notion of how we tend to think that recall is often “perfect” or at least close to the “truth” only to discover that it is not as certain as we might think. So when we look back on a recollection, say a diary entry such as that of Mary Chestnut, and think it is close to the truth we might want to say that “this is the way it was”. Naturally corroboration will be needed but still it is always worth remembering that we rely on what we tend to think as “our” truth and that our memory system is very clearly not perfect.

    Quote from the above article:
    “Memory is not stagnant, but constantly changing and continually shaped by our present and the stories we tell ourselves. It is fallible, as are our perceptions, interpretations and the conclusions we draw from events. It is unnatural not to question or speak back to the stories we hear. Leaving memory unexamined, and granting it the status of sacred or untouchable history, does memory itself a great injustice.”

    The current coloring of the “truth” and of “facts” is actually quite extreme but as you have pointed out eventually these facts will be firmly sorted out and historians will then have to report on current “opinions” and of “belief systems” that are , of course, separate from the “facts”.

    Dave Schurman

    • I could go on for days on the topic of memory, hell, I wrote a book about it. And I teach it. But, yeah, memory is not flawless. Not even close. We form our memories in conjunction with those around us and society as a whole. In other words, our memories are not entirely ours.

      As for the rest of this, ugh.

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